Singing with the Psalms (Psalm 147)
Saturday, February 4, 2012 at 09:27PM
As I read the psalm this week, I could not get out of my head the sound of old Baptist farmers, specifically when they were singing at the top of their lungs!
To be honest, “old farmers singing” is the clearest memory I have growing up. We really could sing our hearts out on a Sunday morning--the old men rumbling on the bass part of the songs. While I remember other bits of my early years as a kid in church, what is particularly memorable is the congregation at song sticks in my brain. We sang hymns that seemed to shake the rafters:
Praise Him! Praise Him!
Tell of his excellent greatness!
Praise Him! Praise Him ever in joyful song!
As the Psalter draws to a close, the last five psalms (Ps. 146-150) are the so-called “Hallelujah” hymns, serving as a capstone and finishing flourish to the overall collection. They are called the “Hallelujah” psalms due to each one beginning and ending with the Hebrew phrase “Hallelujah”. The word is often rendered in English as the phrase “Praise the Lord!” though it is actually more of a command or a summons “to praise, shout, sing praise” to God (cf. “HALLEUJAH”, NIBD, Vol II, p. 723). From beginning to end, the people are reminded to keep giving God due praise.
If you asked the various Psalm composers, they would say I remember one of the most important parts of worship: the people of God singing together. Of course, psalmists are quite biased, as the book of Psalms are a collection of songs, a veritable wealth of riches for the liturgical life of a people: calls to praise, calls to prayer, songs of sorrow and joy, songs of a people’s life with God (and often their failings to live into the fullness of this relationship). The psalms serve as a communal summons to sing together at worship, on pilgrimage to Jerusalem, and throughout one’s life.
So we find that the old Baptist farmers were doing something more than singing a song boisterously (and hopefully not too off key!). The little group in a small town church engaged in the work of becoming the people of God at worship and using a venerable ancient spiritual practice to do so. While we Baptists talked about the importance of the sermon in our worship service, the music made an even greater impression, forming and fashioning us into a people engaged in the praise to God.
This particular psalm calls the people to give due praise to God as expected: at the beginning and at the end. In turn, the 147th Psalm reads a bit like many hymns in our hymnal. The psalm has three sections, similar to the verses of a longer hymn. Each section builds upon the one previous, escalating a drama of sorts for those singing this psalm.
The first section opens with the call to praise God and reminds the worshipper of God’s worthiness of due praise. Here, we get a glimpse of “when” the psalm was written, as reference is made to Jerusalem in need of reconstruction and persons in crisis. For centuries, it was customary for interpreters to lump all of the psalms into the time of King David, the psalms of the royal court at its height. As scholarship has matured in its reading of the Psalms, the consensus has shifted towards an understanding of the psalms as a collection coming together long after David’s monarchy came crashing down.
Some psalms came in happier times in the life of ancient Israel while others came long after “the party was over” for life as the earlier generations composing certain psalms. I cite the history lesson as it gives better perspective on why this psalm’s call to praise God has such power. The psalmist is encouraging those who are engaged in the hard work of rebuilding a life in the ruins of Jerusalem. It tells us who we are as God’s beloved, especially when times of adversity threaten to overwhelm and overshadow. The psalm calls out a word of hope to the outcast, the broken-hearted, the wounded, the downtrodden and those victimized by the wicked. The 147th Psalm summons to praise a group of people just finding their voice again, sorting out what life looks like after great hardship or catastrophe.
Out of such hope from generation to generation, the melodies rise up in the voices of people regaining their very identity. The psalms ground such hope not in the politics or economics ruling the day. They place such hope in the hands of God, maker of heaven and earth, the one who binds up the wounded and cares for the vulnerable. No wonder as the reminders of whom God is roll along, the psalm then says, “Sing to the Lord with thanksgiving.” It is a statement of gratitude. It is a word of encouragement to those whose voices seem lost in the midst of the world’s noise and indifference.
Over the narratives of the Hebrew Scriptures, we learn of God’s willingness to restore and rebuild the broken down, often wandering people. The world may seem ready to fall apart. The present may seem bleak, yet the psalmist calls people to the praise of God.
This hopeful word of the psalmist echoes in our own historical treasury of songs. From the early 20th century onwards, the song “Lift Every Voice and Sing” takes the poetry of James Weldon Johnson and lifts up the travails and the determination of a people whose history is intertwined by tragedy and hope. As I read the psalm, I recalled these lyrics, sung many a time at a MLK Day service over the years:
Lift every voice and sing, till earth and heaven ring,
Ring with the harmonies of liberty;
Let our rejoicing rise high as the listening skies,
Let it resound loud as the rolling sea.
Sing a song full of the faith that the dark past has taught us;
Sing a song full of the hope that the present has brought us;
Facing the rising sun of our new day begun,
Let us march on ‘till victory is won.
As the psalm raises its singers above the world as we tend to experience it, the song turns us beyond the human experience of existence. The psalm celebrates God’s handiwork in the fullness of Creation, bringing the world to life and celebrating its God-given liveliness. The verdant green of the hills, the white caps upon the mountains and the mighty torrent of the waters are all celebrated as God at work in the midst of Creation. We are gifted with a world that God endeavors to make it a place of abundance and good.
Thus we turn to the grand delight of the Hebrew Scriptures, texts that remind us that humanity is part of a greater whole. While we fritter away at our own problems, Creation is understood as a much bigger picture than humanity’s sometimes “human-centric” self-understanding. All of Creation is given to the praise of God, not just us. The psalms that begin and end with a summons to give praise to God do not presume to leave such work to the worshippers inside the temple. It’s a wider chorus given over to the awe of God.
And now we turn to another hymn, one likely unfamiliar, yet as we get into its words and tune, we hear the same intentions behind the 147th Psalm. The hymn writer frames his words in the form of questions, perhaps ones that should be simply asked and pondered rather than hastily answered. How does any part of Creation ever sufficiently give praise to God, humans included?
In singing to the God who created the tiny sparrow and the great whale, the congregation at song raises up the beauty of God’s creation yet admits that such wonder in the world can be scarcely summed up. It is a hymn that calls us to praise while taking down our human pretentions to “know it all”. When the world seems crashing down, the song of praise to God goes on, just as God’s goodness and love for the world is celebrated as the true “last word” on all things.
God of the sparrow God of the whale
God of the swirling stars
How does the creature say Awe
How does the creature say Praise
God of the earthquake God of the storm
God of the trumpet blast
How does the creature cry Woe
How does the creature cry Save
God of the rainbow God of the cross
God of the empty grave
How does the creature say Grace
How does the creature say Thanks
God of the ages God near at hand
God of the loving heart
How do your children say Joy
How do your children say Home
